![]() ![]() This count in can be a standard, sample based count-in, but is more often crafted from snippets of the CYM track. Unless there is a strong count-in in the music, you should add a 2 measure long count-in to the beginning of the TRKS file (in the standard "One, two, One two three four" style). You can assure this by running all files through a brick wall limiter as the last step of mixing. In order to avoid clipping, all files must be no louder than -0.5db. You can then adjust your mix in Reaper, take note of the attenuation (volume) settings that you like, and enter those values into the magma tool. Run the macro, which will convert your stems from this (Figure 2):įigure 2: Stems before normalization, compression and limiting.įigure 3: Stems after normalization, compression and limiting. To use the template, first import your stems into the template (Figure 1): Used in conjunction with the mixing template project, this macro will normalize your tracks, and apply some light compression and limiting. We will make a RBN mixing template for use in Reaper available shortly, that comes with a custom mixing macro to import into your actions list (mapped to Shift+M) if you're having trouble getting your tracks loud enough. This will ensure that each of your tracks will be nice and punchy. Set the ceiling to -0.5 dB and adjust your threshold so that the peak reduction is about 2-3 dB on the loudest track, use the same limiter threshold setting on each track to ensure that your mix does not change signifigantly. Using a good brick wall Limiter, such as the JS: LOSER/MGA_JS Limiter in Reaper, you can get an extra bit of loudness into your files. Since songs in Rock Band have to contend with game sound effects and the cheering of a virtual crowd, we tend to mix songs slightly louder for the game. Lyrics sheet: It's usually a good idea to prepare a lyric sheet for your song, or to request one from an artist if you're authoring a song for them.
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